We've been here since early 2014 and we have receieved a few testimonials on our website, but as of late 2018 we have moved our review serction to Google and Facebook. If you would like to let us know your experience with Web For Actors we would love to hear from you.


Martha Neofit - Web For Actors client

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The interface is very user friendly and set-up was fast as hell. I don't know what the record is, but I build my website in 1:07 min. It got all my projects right and even project's directors. I really couldn't ask for more. I <3 this.

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Actor Website Tips | Get an easy to remember email, i.e. cast@yourname.com or hire@yournameactor.com

Picking an email address for your actor website Now that you've gotten a domain name for your actor website, you should be able to set up an email address under that domain.I understand that a lot of you might be already used to the single account that you might have...

Fun Facts | Websites for Actors

Build your actor website Build your #actor #website while brushing your teeth.

Actor Casting Hints | Impress Casting Directors

How to get cast Usually when they say "do it again" it doesn't mean "do it differently".

Actor Dictionary | Story vs Plot

What you should know

What' the difference between the two? "Story" is what your film is about. "Plot" is what happens in your film; two very different things. Your plot conveys your story. The first and foremost important thing you must know before you embark on producing any film or TV is story. You must understand what your movie is about. Why are we watching this movie? You can usually express this is 1-2 sentences. It' very similar to a logline. However, loglines are often used as a selling tool (ie when pitching your film). Loglines meant to captivate and intrigue the person who hears it. Story is used as a practical producing tool. It' used for creative people to gain an understanding how they are to work towards making a film. Often times, producers and writers focus too much on the events that happen in their film, but lose sight of what the story is about. Steven Spielberg was a master at this. He always emphasized to his crew to never lose sight of what the film was about. For example, "Schindler' List" is about a man who wanted to make a difference; not about Nazi concentration camps. "Transformers" is about the relationship between a boy and his car; not about cars that turn into robots.

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